We’re excited to announce the full casting for the world premier of [BLANK] a new play by Alice Birch. Directed by Maria Aberg, full casting includes Ayesha Antoine, Shona Babayemi, Sophia Brown, Jackie Clune, Lucy Edkins, Zaris-Angel Hator, Zainab Hasan, Joanna Horton, Thusitha Jayasundera, Petra Letang, Leah Mondesir-Simmonds, Kate O’Flynn, Ashna Rabheru, Jemima Rooper and Taya Tower.
Alice Birch’s heartbreaking new play reaches across society to explore the impact of the criminal justice system on women and their families. From 100 unnamed scenes, this theatrical provocation challenges the creative team to construct an entirely unique production. Directed by Maria Aberg, [BLANK] is part of our 40th Anniversary celebrations and the highlight of our Autumn Season.
Alice Birch (Writer) is the winner of the Arts Foundation Award for Playwriting 2014, the co-winner of the George Devine Award for Most Promising Playwright 2014 and was shortlisted for the Susan Smith Blackburn Award in 2012 and 2015. Theatre includes: La Maladie de la Mort (Bouffes de Nord); Anatomy of a Suicide (Royal Court), Schatten (Schaubuhne); Revolt. She Said. Revolt Again. (RSC and Soho Rep), Ophelias Zimmer (Royal Court and Schaubuhne, Berlin), We Want You to Watch (National Theatre), Little Light (Orange Tree), Little on the inside (Almeida and Clean Break) and Many Moons (Theatre 503). Film includes Lady Macbeth for the BBC, BFI and Creative England which was the winner of the International Critic’s Prize at San Sebastian Film Festival 2016, the Best First Feature at Zurich Film Festival 2016, Best Screenplay at Turin Film Festival 2016 and Best Screenplay at the British Independent Film Awards 2017.
Maria Aberg (Director) Maria’s recent work includes Little Shop of Horrors (Regent’s Park Open Air Theatre), Dr Faustus, The White Devil, As You Like It, King John, The Gods Weep, Days of Significance (RSC), Hotel (National Theatre), Much Ado About Nothing (Royal Exchange, Manchester), The Chairs (Theatre Royal Bath), Alaska (Royal Court) and Roald Dahl's Fantastic Mr Fox (Nuffield, Southampton and Lyric Hammersmith).
Ayesha Antoine her theatre credits include Hamlet and Red Velvet (Kenneth Branagh Theatre Company), Life of Galileo and Trade (Young Vic), Dirty Great Love Story (Arts), The Suicide (National Theatre), The Wolf in Snakeskin Shoes and The House That Will Not Stand (Tricycle), The Ghost Train (Royal Exchange, Manchester/Told By An Idiot), Venice Preserv’d (The Spectator’s Guild), We Are Proud to Present a Presentation About the Heroero of Namibia (Bush), Tartuffe (Birmingham Rep), Surprises and Absurd Person Singular (Stephen Joseph Theatre), Cinderella, Red Riding Hood, Madblud and Familyman (Theatre Royal Stratford East), One Monkey Don’t Stop No Show (Eclipse Theatre), The Mountaintop (Derby LIVE), Blue/Orange (Arcola), My Wonderful Day (Off Broadway/UK Tour), The Thirteen Midnight Challenges of Angelus Diablo (RSC), Big White Fog (Almeida), Master Juba (Luton Library Theatre), Upstairs in the Sky (Quicksilver Children’s Theatre) and The Firework Maker’s Daughter (Lyric Hammersmith). Her TV credits include The Long Song, Thunderbirds Are Go!, Chewing Gum, Nurse, Pompidou, Bellamy’s People, Skins, Mouth To Mouth, Holby City, Doctor Who, Parents of the Band, Bigger Better Brighter, Placebo, Kerching, The Bill and Grange Hill.
Shona Babayemi commenced training with the Identity School Of Acting (IDSA) after studying Theatre and Drama Studies at the University of London. Whilst working with Cardboard Citizens, Shona had the opportunity of working internationally in Berlin - performing in Invisible People (Ufa Fabrik International Culture Centre). She went on to tour with the company in their production of Rising, playing Danielle. Joining The School For Wise Children, Shona worked alongside theatre director Emma Rice, devising and exploring varying theatrical techniques. She is an avid writer and spoken word artist and continues to pursue this as a Soho Theatre Writers Member. She will join the Royal Court Theatre’s Playwriting group in January 2020. Shona remains an ardent and active member of the Clean Break Theatre Company, participating in workshops and programmes as well as recently performing in their promenade production All the Lights Are On as part of the company’s 40th anniversary celebrations.
Sophia Brown her TV credits include The Capture, Girl Haji, Marcella, Clique, Guerrilla, Casualty and Top Boy. Her film credits include A Battle in Waterloo, Disobedience, Beauty and The Beast and Genius.
Jackie Clune returns to the Donmar Warehouse after appearing in Measure for Measure, the Shakespeare Trilogy, Henry IV and The Vote. Jackie also appeared in The Tempest and Henry IV at St. Ann’s Warehouse, NY. Her other theatre credits include Emilia (Vaudeville), Utility (Orange Tree), Fallen Angels (Salisbury Playhouse), Candide (Menier Chocolate Factory), 9 To 5 (Ambassadors), Mogadishu (Lyric Hammersmith), Mamma Mia (Little Star), Julie Burchill Is Away (Soho) and Showstopper (G & J). Her TV credits include Motherland (series 1 & 2), Good Omens, Three Girls, Borderline, Breathtaking, The Bill, Eastenders and Waking the Dead. Her film credits include Jawbone and Denial.
Lucy Edkins her previous acting credits include Inside Bitch (Royal Court). Lucy has been involved with Clean Break since the mid-90s, following her work with Nomads..., a theatre and film company she co-founded which worked with vulnerable groups (including prisoners) and performed plays in unconventional venues. Lucy has taken part in workshops with Clean Break including a Complicité workshop culminating in a devised piece, The Ex-Industry, performed in local prisons and a rehab unit. She went on to work professionally with Clean Break in their stage management teams, on productions including Mules and Yard Gal at the Royal Court, touring nationally with the latter around prisons and art centres. Her work in theatre also includes stage managing and an assistant director on Life After Life (National Theatre). Since 2003 she has concentrated on artistic work across media, including a couple of years playwriting and showcasing new works. Her television and short film credits include and Eleanor.
Zaris-Angel Hator her theatre credits include Fanny and Alexander (Old Vic), Peter Pan (Adelphi) and Matilda (RSC). Her TV credits include The Midnight Gang, Nella The Knight, The Forgiving Earth, Victoria and Sainsbury’s Christmas. Zaris-Angel trains full-time at the Sylvia Young Theatre School.
Zainab Hasan returns to the Donmar Warehouse after appearing in the Shakespeare Trilogy and Henry IV. Zainab also appeared in The Tempest and Henry IV at St. Ann’s Warehouse, NY. Other theatre credits include My White Best Friend (Bunker), Tamburlaine, Tartuffe and Timon of Athens (RSC), Hijabi Monologues (Bush), Boy (Almeida), Tory Boyz, Romeo and Juliet and Prince of Denmark (Ambassadors), Red Riding Hood (Latitude Festival), On The Dole (Lyric Hammersmith), D and The Boyfriend (Oval House), Routes (Hampstead) and Totally Over You (Tricycle).
Joanna Horton her theatre credits include Othello (Shakespeare’s Globe), All’s Well That Ends Well, As You Like It, The Gods Weep and Days Of Significance (RSC), Belongings (Hampstead), The Cherry Orchard (Birmingham Rep), Town (Royal & Derngate, Northampton). Her TV credits include Endeavour, Dark Angel, Silent Witness, Partners In Crime, Children Next Door, Knifeman, The Suspicions of Mr Whicher, Father Brown, London’s Burning, Doctors, Permanently Excluded, Holby City, New Tricks, Breaking The Mould, The Bill, Midnight Man, Bike Squad, Holby Blue, Five Days, Robin Hood, Spooks, Eleventh Hour, Afterlife and Foyle’s War. Her film credits include Fish Tank and The Listener.
Thusitha Jayasundera her theatre credits include Our Town (Regent’s Park Open Air), Stories, Behind The Beautiful Forevers, Crime and Punishment and War Horse (National Theatre), The Divide (Old Vic/King’s, Edinburgh), The Vertical Hour (Park), Tiger Country (Hampstead), A Day at the Racists (Finborough), Dreams of Violence (Out of Joint/Soho/UK Tour), Twelfth Night, As I Lay Dying (Young Vic), and Cain, Peer Gynt, Pentecost, The Comedy of Errors (RSC). Her TV credits include Humans, Midsomer Murders, Doctor Foster, Broadchurch, The C Word and Above Suspicion.
Petra Letang her theatre credits include Soul (Royal & Derngate, Northampton), Random (Chichester), Pandora’s Box (Arcola), Truth & Reconciliation, Fallout, Escobar Estate, Breath Boom and Rough Road to Survival (Royal Court), Every Coin (Synergy Theatre Company), Joe Turner’s Come and Gone and Generations of the Dead (Young Vic), My Wonderful Day (Off Broadway), Baby Girl/The Miracle and The President of an Empty Room (National Theatre), The Weave and Badnuff (Soho), How Love is Spelt (Bush), Beautiful Thing (Nottingham Playhouse), Mules (Clean Break) and Local Boy (Hampstead). Her TV credits include The Reluctant Landlord, Little Boy Blue, People Just Do Nothing, Holby City, Secret Dude Society, Eastenders, The Bill, The Last Detective, Jonathan Creek, Babyfather 2 and Family Affairs. Her film credits include Betsy and Leonard, Wondrous Oblivion and A Heart Divided.
Leah Mondesir-Simmonds makes her Donmar Warehouse debut in [BLANK]. Her TV credits include Holby City.
Kate O'Flynn her theatre credits include The End of History, Anatomy of a Suicide, The Ritual Slaughter of Gorge Mastromas and A Miracle (Royal Court), One for the Road/Mountain Language/Ashes to Ashes (Harold Pinter), The Glass Menagerie (Duke of York’s/Edinburgh International Festival), The Trial (Young Vic), A Taste of Honey and Port (National Theatre), Lungs and The Sound of Heavy Rain (Paines Plough/Crucible, Sheffield), Marine Parade (ETT), The Whisky Taster (Bush), The House of Special Purpose (Chichester), See How They Run and The Children’s Hour (Royal Exchange, Manchester). Her TV credits include Brexit, No Offence, Wanderlust, Doctor Thorne, Not You Again, Ordinary Lies, New Tricks, Room at the Top, Playhouse Presents: The Snipist, Above Suspicion, The Syndicate, The Suspicions of Mr Whicher, Kingdom, The Palace and Trial & Retribution. Her film credits include Peterloo, Bridget Jones’ Baby, Mr. Turner, Up There and Happy Go Lucky. Her awards include the Clarence Derwent Award and Olivier Award nomination for Best Actress in a Supporting Role for The Glass Menagerie, a Manchester Evening Standard Award for Best Newcomer for The Children’s Hour, a TMA Award for Best Supporting Actress for The Children’s Hour and the Critics’ Circle Award for Most Promising Newcomer for Port.
Ashna Rabheru graduated from the Royal Welsh College of Music and Drama where her work included Between Riverside and Crazy, Candide, The Crucible and Much Ado about Nothing. Her theatre credits include Trojan Horse (LUNG/Leeds Playhouse) and Top Girls (National Theatre). For television Ashna’s credits include Pickle Jar, Sex Education, Year of the Rabbit, Bounty, Is This Thing On? and Indian Summers. Her radio credits include, Deacon: Moonlight On Water, Splott, Dangerous Visions: Perimeter and Where This Service Will Continue.
Jemima Rooper her theatre credits include Orpheus Descending (Theatre Clwyd/Menier Chocolate Factory), Little Shop of Horrors (Regent’s Park Open Air), The Norman Conquests (Chichester), A Midsummer Night's Dream (Young Vic), Me and My Girl (Crucible, Sheffield), One Man, Two Guvnors (National Theatre/UK Tour/Adelphi/Music Box, NY), Blithe Spirit (Gielgud/US Tour), All My Sons (Apollo) and Her Naked Skin (National Theatre). Her TV credits include Gold Digger, Death in Paradise, Trauma, Atlantis, A Bouquet of Barbed Wire, Lost In Austen, Hex and As If. Jemima also appeared in the films Kinky Boots, One Chance, What If and The Black Dahlia.
Taya Tower makes her Donmar Warehouse debut in [BLANK]. Her theatre credits include The Hunt (Almeida). Taya is currently nominated for the Stage Debut Award for Young Performer.