This Wide Night is a tender portrayal of two women trying to start over. On release from prison, Lorraine heads straight to Marie’s. They used to share everything inside, but find the friendship that once protected them now threatens to smother the fragile freedom they have found.
Chloë wrote the play after spending time in Cookham Wood prison (which has since been re-rolled as a young offenders' institution for young men), conducting writing workshops and speaking to women one-on-one. During this process, Chloë became interested in the experiences of long-serving offenders, how vital their friendships are, and what life is like for women resettling into society after release.
“After working in HMP Cookham Wood, I had enough material to write 50 different plays. I decided to concentrate on two aspects: the uniqueness of relationships formed in prison - and if they are able to exist in another context; and resettlement – particularly of women who have spent a long time in prison and who are released at a point in their lives when starting afresh can feel like a very hopeless prospect.” Chloë Moss
Erin Gavaghan is an experienced executive arts manager who has worked within both new writing theatre and contemporary dance / choreography.
Erin has been Executive Director and joint CEO of Clean Break since October 2018. Previously at Siobhan Davies Dance, she held several roles; most recently as Executive Director (from 2014). Prior to that, she was the General Manager of Soho Theatre (2008-2012), having also followed a path of progression from Front of House Manager (2005-2007) and Deputy General Manager (2007-2008). Since moving to London from Canada in 2000, Erin has also worked at the Royal Albert Hall as the Stewards Administrator and Natural History Museum managing catering services.
Erin studied English Literature and Theatre (Directing) at the University of Victoria (Canada) and attained an MA in Arts Policy and Management from Birkbeck in 2005. She has a passion for life-long learning.
Anna Herrmann has been working in the field of theatre and social change for twenty seven years, specialising in theatre and education with marginalised groups in the UK and abroad. She has been with Clean Break since 2002 as the Head of Education, leading the company’s award winning work with women in the criminal justice system and women at risk of entering it. Anna is co-author of Making a Leap: Theatre of Empowerment: A Practical Handbook for Creative Drama Work with Young People (Jessica Kingsley Publishers). She has an MA in Arts Education from Royal Central School of Speech and Drama and a PG Cert (Distinction) in Race and Ethnic relations. She is a regular visiting lecturer on Applied Theatre courses at Universities across the Country and between 2006 and 2018 was a trustee of Leap Confronting Conflict; a UK based national charity specialising in youth and conflict. Anna sits on the Steering Group of the National Criminal Justice Arts Alliance and is also a trained coach and regularly mentors artists in participatory settings.
Róisín McBrinn is a theatre director with over fifteen years experience working in the UK, Ireland and internationally. She has been with Clean Break since 2016 as the Head of Artistic Programme and during that time has directed Joanne (Soho Theatre and RSC) and House/Amongst The Reeds (Yard Theatre) for the company. She was formerly Associate Director at Sherman Cymru where she oversaw the commissioning and developing of new Welsh writing. Róisín has directed for the Donmar Warehouse (Noveccento), Sheffield Theatres (Afterplay), West Yorkshire Playhouse (Yerma), Prime Cut (Villa/Discurso), The Abbey Theatre (No Escape, Perve, Heartbreak House). She has developed new work for Soho Theatre, The National Theatre, The Bush, The Abbey and Sherman Theatre. This summer she is directing a stage adaptation of Roddy Doyle's The Snapper for Dublin's Gate Theatre.
'The piece is beautifully written: comic, colourful, full of pain and tenderness and truth. And Lucy Morrison's production has a poignant and powerful lucidity.'
Sam Marlowe - Times Online
'Lucy Morrison’s production has a luminously humane performance from Jan Pearson, whose Lorraine begins as a ‘Little Britain’-style caricature but grows exponentially in depth and pathos as her story unfolds.'
Robert Shore - TimeOut