Blis-ta, a new audio drama by Sonya Hale.
Listen now on Spotify, Apple Podcasts, Sound Cloud or wherever you like to listen.
Kat and Cherry meet on the streets. Kat is wily, funny, and fierce; Cherry is a lost dreamer. Blis-ta is the story of their adventures to survive as homeless girls and the transformative power of friendship.
Written by the late Sonya Hale, who was a Clean Break Member, it is a visceral, bold and startling audio drama about hidden homelessness and the lengths women go to for survival.
A wild celebration of resilience, it will spin you through a mesh of joy, chaos and beauty.
Listen to the audio drama, with an introduction from Lucy Kirkwood on Spotify, iTunes, Stitcher and Soundcloud or wherever you get your podcasts.
We’re delighted to be sharing Blis-ta with you for free. If you enjoy this unflinching audio drama, then please consider supporting Clean Break by becoming a Friend.
From £5 a month, your support will help us produce ground-breaking theatre and transform women’s lives so they can reach their full potential, free from criminalisation.
Our thanks to Dominic Bilkey, Suzanne Diakun, Bertie Carvel, Holly Conneely, Jessica Dromgoole, Sarah Fortescue, Abigail Gonda, Sarah Kenny, Jeremy Mortimer, Lucy Morrison, Rufus Norris, the National Theatre and Elisha Sessions.
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Erin Gavaghan is an experienced executive arts manager who has worked within both new writing theatre and contemporary dance / choreography.
Erin has been Executive Director and joint CEO of Clean Break since October 2018. Previously at Siobhan Davies Dance, she held several roles; most recently as Executive Director (from 2014). Prior to that, she was the General Manager of Soho Theatre (2008-2012), having also followed a path of progression from Front of House Manager (2005-2007) and Deputy General Manager (2007-2008). Since moving to London from Canada in 2000, Erin has also worked at the Royal Albert Hall as the Stewards Administrator and Natural History Museum managing catering services.
Erin studied English Literature and Theatre (Directing) at the University of Victoria (Canada) and attained an MA in Arts Policy and Management from Birkbeck in 2005. She has a passion for life-long learning.
Anna Herrmann has been working in the field of theatre and social change for twenty seven years, specialising in theatre and education with marginalised groups in the UK and abroad. She has been with Clean Break since 2002 as the Head of Education, leading the company’s award winning work with women in the criminal justice system and women at risk of entering it. Anna is co-author of Making a Leap: Theatre of Empowerment: A Practical Handbook for Creative Drama Work with Young People (Jessica Kingsley Publishers). She has an MA in Arts Education from Royal Central School of Speech and Drama and a PG Cert (Distinction) in Race and Ethnic relations. She is a regular visiting lecturer on Applied Theatre courses at Universities across the Country and between 2006 and 2018 was a trustee of Leap Confronting Conflict; a UK based national charity specialising in youth and conflict. Anna sits on the Steering Group of the National Criminal Justice Arts Alliance and is also a trained coach and regularly mentors artists in participatory settings.
Róisín McBrinn is a theatre director with over fifteen years experience working in the UK, Ireland and internationally. She has been with Clean Break since 2016 as the Head of Artistic Programme and during that time has directed Joanne (Soho Theatre and RSC) and House/Amongst The Reeds (Yard Theatre) for the company. She was formerly Associate Director at Sherman Cymru where she oversaw the commissioning and developing of new Welsh writing. Róisín has directed for the Donmar Warehouse (Noveccento), Sheffield Theatres (Afterplay), West Yorkshire Playhouse (Yerma), Prime Cut (Villa/Discurso), The Abbey Theatre (No Escape, Perve, Heartbreak House). She has developed new work for Soho Theatre, The National Theatre, The Bush, The Abbey and Sherman Theatre. This summer she is directing a stage adaptation of Roddy Doyle's The Snapper for Dublin's Gate Theatre.